Hikari Ono - On a Still Surface
Hikari Ono is known for her ongoing series Object for paintings, a body of small clay sculptures defined by minimal forms and a reduced yet subtle color palette. Alongside this three-dimensional practice, she also explores the medium of monotype. Created with black ink on postcard-sized glass plates, her works capture on their surface a sequence of simple gestures, unfolding a formal vocabulary that oscillates between opacity and transparency, structure and accident. This book brings together and reproduces at actual scale around sixty of these pieces, created between 2015 and 2025.
Hikari Ono was born in 1990 in Lüneburg (Germany). She currently lives in Tokyo.
Hikari Ono’s work consists mainly of small clay sculptures with minimal forms and a limited but delicate repertoire of colors; however, the apparent modesty and the obvious playfulness of these works do not hide their strong analytical ambition for long.
Through her practice of clay modeling alone, the most archaic and direct way of shaping a solid, the artist demonstrates her interest in returning to primary structures. Each piece is subject to only a few essential interventions such as laceration, grooving, crushing or spreading, and hollowing out or adding. Often these marks testify to the presence of her fingers, including their visible imprint. Ono’s works are fundamentally tactile, and not just because they are hand-sized.
What ultimately gives her pieces their ambiguity, and hence their power, is that they go beyond a strict exercise in deconstruction to dialogue with the realm of painting. The marks applied to the clay are reminiscent of a Baroque drapery or the vibrant surface of an abstract painting; they evoke Robert Ryman’s brushstroke, Lucio Fontana’s punctures or, more often than not, some other unidentified and happy pictorial invention. In this sense, although the artist is exploring the grammar of sculpture, she does so to have it speak the language of painting.
Hikari Ono is represented by XYZ Collective (Tokyo)
Edited by Olivier Mignon
Designed by Roger Willems
Interview by Hikotaro Kanehira
Published by Keijiban (Kanazawa) and Roma Publications (Amsterdam)
English and Japanese
23.5 x 16.5 cm
48 pages
ISBN 9789464460940
© Keijiban
© Roma Publications
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Hikari Ono - On a Still Surface
Hikari Ono is known for her ongoing series Object for paintings, a body of small clay sculptures defined by minimal forms and a reduced yet subtle color palette. Alongside this three-dimensional practice, she also explores the medium of monotype. Created with black ink on postcard-sized glass plates, her works capture on their surface a sequence of simple gestures, unfolding a formal vocabulary that oscillates between opacity and transparency, structure and accident. This book brings together and reproduces at actual scale around sixty of these pieces, created between 2015 and 2025.
Hikari Ono was born in 1990 in Lüneburg (Germany). She currently lives in Tokyo.
Hikari Ono’s work consists mainly of small clay sculptures with minimal forms and a limited but delicate repertoire of colors; however, the apparent modesty and the obvious playfulness of these works do not hide their strong analytical ambition for long.
Through her practice of clay modeling alone, the most archaic and direct way of shaping a solid, the artist demonstrates her interest in returning to primary structures. Each piece is subject to only a few essential interventions such as laceration, grooving, crushing or spreading, and hollowing out or adding. Often these marks testify to the presence of her fingers, including their visible imprint. Ono’s works are fundamentally tactile, and not just because they are hand-sized.
What ultimately gives her pieces their ambiguity, and hence their power, is that they go beyond a strict exercise in deconstruction to dialogue with the realm of painting. The marks applied to the clay are reminiscent of a Baroque drapery or the vibrant surface of an abstract painting; they evoke Robert Ryman’s brushstroke, Lucio Fontana’s punctures or, more often than not, some other unidentified and happy pictorial invention. In this sense, although the artist is exploring the grammar of sculpture, she does so to have it speak the language of painting.
Hikari Ono is represented by XYZ Collective (Tokyo)
Edited by Olivier Mignon
Designed by Roger Willems
Interview by Hikotaro Kanehira
Published by Keijiban (Kanazawa) and Roma Publications (Amsterdam)
English and Japanese
23.5 x 16.5 cm
48 pages
ISBN 9789464460940
© Keijiban
© Roma Publications
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Hikari Ono is known for her ongoing series Object for paintings, a body of small clay sculptures defined by minimal forms and a reduced yet subtle color palette. Alongside this three-dimensional practice, she also explores the medium of monotype. Created with black ink on postcard-sized glass plates, her works capture on their surface a sequence of simple gestures, unfolding a formal vocabulary that oscillates between opacity and transparency, structure and accident. This book brings together and reproduces at actual scale around sixty of these pieces, created between 2015 and 2025.
Hikari Ono was born in 1990 in Lüneburg (Germany). She currently lives in Tokyo.
Hikari Ono’s work consists mainly of small clay sculptures with minimal forms and a limited but delicate repertoire of colors; however, the apparent modesty and the obvious playfulness of these works do not hide their strong analytical ambition for long.
Through her practice of clay modeling alone, the most archaic and direct way of shaping a solid, the artist demonstrates her interest in returning to primary structures. Each piece is subject to only a few essential interventions such as laceration, grooving, crushing or spreading, and hollowing out or adding. Often these marks testify to the presence of her fingers, including their visible imprint. Ono’s works are fundamentally tactile, and not just because they are hand-sized.
What ultimately gives her pieces their ambiguity, and hence their power, is that they go beyond a strict exercise in deconstruction to dialogue with the realm of painting. The marks applied to the clay are reminiscent of a Baroque drapery or the vibrant surface of an abstract painting; they evoke Robert Ryman’s brushstroke, Lucio Fontana’s punctures or, more often than not, some other unidentified and happy pictorial invention. In this sense, although the artist is exploring the grammar of sculpture, she does so to have it speak the language of painting.
Hikari Ono is represented by XYZ Collective (Tokyo)
Edited by Olivier Mignon
Designed by Roger Willems
Interview by Hikotaro Kanehira
Published by Keijiban (Kanazawa) and Roma Publications (Amsterdam)
English and Japanese
23.5 x 16.5 cm
48 pages
ISBN 9789464460940
© Keijiban
© Roma Publications
