
Revue Faire - N°49
The 49th issue of the critical graphic design journal, about Lawrence Weiner and his relationship with typography.
Lawrence Weiner: We Are Ships at Sea, Not Ducks On a Pond.
Author: Joris Kritis
with interviews with Nora Turato & Linda van Deursen
Lawrence Weiner's use of graphic design has always been of fascination for graphic designers. 'What makes Weiner's work seductive to graphic designers is his resolutely non-apologetic method of displaying words without need for any explanation.'* But in this text a comparative analysis is made of different voices about Weiner's use of graphics & typography. Next to a speculative history of Weiner's formal language, two interviews—with graphic designer Linda Van Deursen and artist Nora Turato—pay attention to Weiner's enduring legacy.
*— Russel Holmes, "The Work Must Be Read", Eye Magazine, Autumn, 1998, https://www.eyemagazine.com/feature/article/the-work-must-be-read.
Texts by Joris Kritis, Nora Turato, Linda van Deursen.
2025
Bilingual edition (English / French)
21,5 x 29,7 cm
Softcover
62 pages (44 pages A4 + 16 pages A5)
ISBN: 979-10-95991-45-8
© Revue Faire
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Revue Faire - N°49
The 49th issue of the critical graphic design journal, about Lawrence Weiner and his relationship with typography.
Lawrence Weiner: We Are Ships at Sea, Not Ducks On a Pond.
Author: Joris Kritis
with interviews with Nora Turato & Linda van Deursen
Lawrence Weiner's use of graphic design has always been of fascination for graphic designers. 'What makes Weiner's work seductive to graphic designers is his resolutely non-apologetic method of displaying words without need for any explanation.'* But in this text a comparative analysis is made of different voices about Weiner's use of graphics & typography. Next to a speculative history of Weiner's formal language, two interviews—with graphic designer Linda Van Deursen and artist Nora Turato—pay attention to Weiner's enduring legacy.
*— Russel Holmes, "The Work Must Be Read", Eye Magazine, Autumn, 1998, https://www.eyemagazine.com/feature/article/the-work-must-be-read.
Texts by Joris Kritis, Nora Turato, Linda van Deursen.
2025
Bilingual edition (English / French)
21,5 x 29,7 cm
Softcover
62 pages (44 pages A4 + 16 pages A5)
ISBN: 979-10-95991-45-8
© Revue Faire
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The 49th issue of the critical graphic design journal, about Lawrence Weiner and his relationship with typography.
Lawrence Weiner: We Are Ships at Sea, Not Ducks On a Pond.
Author: Joris Kritis
with interviews with Nora Turato & Linda van Deursen
Lawrence Weiner's use of graphic design has always been of fascination for graphic designers. 'What makes Weiner's work seductive to graphic designers is his resolutely non-apologetic method of displaying words without need for any explanation.'* But in this text a comparative analysis is made of different voices about Weiner's use of graphics & typography. Next to a speculative history of Weiner's formal language, two interviews—with graphic designer Linda Van Deursen and artist Nora Turato—pay attention to Weiner's enduring legacy.
*— Russel Holmes, "The Work Must Be Read", Eye Magazine, Autumn, 1998, https://www.eyemagazine.com/feature/article/the-work-must-be-read.
Texts by Joris Kritis, Nora Turato, Linda van Deursen.
2025
Bilingual edition (English / French)
21,5 x 29,7 cm
Softcover
62 pages (44 pages A4 + 16 pages A5)
ISBN: 979-10-95991-45-8
© Revue Faire








